Cool
The idea of cool is elusive, harkening back to the days of Miles Davis and the NYC Jazz Scene. Using that as a jumping off point, this show bobs and weaves through the concept of coolness, ultimately settling on the only way to truly be cool, is to stop trying.
The idea of cool is elusive, harkening back to the days of Miles Davis and the NYC Jazz Scene. Using that as a jumping off point, this show bobs and weaves through the concept of coolness, ultimately settling on the only way to truly be cool, is to stop trying.
The idea of cool is elusive, harkening back to the days of Miles Davis and the NYC Jazz Scene. Using that as a jumping off point, this show bobs and weaves through the concept of coolness, ultimately settling on the only way to truly be cool, is to stop trying.
Instrumentation
SnareLine
TenorLine
BassLine (4/5)
Cymbals
4 Vibraphones
4 Marimbas
Bells/Crotales
Xylophone
2 Synths
2 Rack Percussion